A bit about me...
I started out as a runner at Envy Post Production straight after graduating with a Classical Music degree from the University of Nottingham with no idea of what a .wav was or even what ‘5.1’ meant. After hours of training outside my work hours and during my lunch breaks, I quickly progressed to being an audio assistant in the machine room. I became an Audio Assistant Manager being the go to person for overseeing large projects, representing my team in meetings, and generally making sure everything ran smoothly. During this time, I again was finding time to train in the studios with the tracklayers and mixers, learning my way around not only Protools but the DAWs such as the DigiDesign Icon Desk.
I was promoted to tracklayer after a few years in the machine room where I edit music, dialogues, atmospheres, foley and sound-effects. I was regularly being requested by both the Post Producers and Clients to run voice-over recording sessions too. Here I also provided fully mixed Sound Design for TV shows such as Rise of the Machines, D-Day Laid Bare and Strip the City. I was also mixing animations and short films in my spare time (see my work page).
In 2013, I was named as one of Broadcast Magazine’s ‘Hot Shots’, an annual feature on rising stars of the industry under 30. This was totally unexpected and it was such an honour to be listed alongside all of those talented people. You can find the article on my 'press' page.
I left Envy in 2015 and I am currently working as a Freelance Sound Editor across all genres; across all editorial disciplines for Television, Film and Computer Games. I am especially interested in Drama, Film and Animation.
These include computer game ‘Guitar Hero Live’, recent hit Channel 4 comedy ‘Derry Girls’ and recenty released feature comedy ‘You, Me and Him’.
Since going freelance I recieved my first uk broadcast Dubbing Mixer credit and have been mixing Eastenders and multiple factual television programmes over the last few years.
In 2015 I took part in a mid-career-level Mentoring Scheme run by WFTV UK (Women in Film and Television) and have been part of the BAFTA Crew Programme since 2015/2016. I am also a full member of AMPS (Association of Motion Picture Sound). I try to make it to industry events when I'm not working, especially those with panel discussions or seminars - so if you see me come and say hi!
At home I have Protools 12, iZotope's RX4 Advanced and an extensive sound effects library. I also have a high quality monitoring system with Genelec speakers and an Avid Artist Mixer console should you need any mixing.
I have been interviewed for a number of online publications and have lectured 3rd Year Audio Production students at the University of Lincoln a few times since 2016, with another booked for next term. Probably because I learnt my craft 'on-the-job' I have found articles, panels, seminars etc really useful myself, and so am always happy to be involved in helping the next generation of audio bods!
Follow me on Twitter and LinkedIn for my regular updates and click on the Contact tab if you would like to get in touch and enquire about rates and availability.
I was promoted to tracklayer after a few years in the machine room where I edit music, dialogues, atmospheres, foley and sound-effects. I was regularly being requested by both the Post Producers and Clients to run voice-over recording sessions too. Here I also provided fully mixed Sound Design for TV shows such as Rise of the Machines, D-Day Laid Bare and Strip the City. I was also mixing animations and short films in my spare time (see my work page).
In 2013, I was named as one of Broadcast Magazine’s ‘Hot Shots’, an annual feature on rising stars of the industry under 30. This was totally unexpected and it was such an honour to be listed alongside all of those talented people. You can find the article on my 'press' page.
I left Envy in 2015 and I am currently working as a Freelance Sound Editor across all genres; across all editorial disciplines for Television, Film and Computer Games. I am especially interested in Drama, Film and Animation.
These include computer game ‘Guitar Hero Live’, recent hit Channel 4 comedy ‘Derry Girls’ and recenty released feature comedy ‘You, Me and Him’.
Since going freelance I recieved my first uk broadcast Dubbing Mixer credit and have been mixing Eastenders and multiple factual television programmes over the last few years.
In 2015 I took part in a mid-career-level Mentoring Scheme run by WFTV UK (Women in Film and Television) and have been part of the BAFTA Crew Programme since 2015/2016. I am also a full member of AMPS (Association of Motion Picture Sound). I try to make it to industry events when I'm not working, especially those with panel discussions or seminars - so if you see me come and say hi!
At home I have Protools 12, iZotope's RX4 Advanced and an extensive sound effects library. I also have a high quality monitoring system with Genelec speakers and an Avid Artist Mixer console should you need any mixing.
I have been interviewed for a number of online publications and have lectured 3rd Year Audio Production students at the University of Lincoln a few times since 2016, with another booked for next term. Probably because I learnt my craft 'on-the-job' I have found articles, panels, seminars etc really useful myself, and so am always happy to be involved in helping the next generation of audio bods!
Follow me on Twitter and LinkedIn for my regular updates and click on the Contact tab if you would like to get in touch and enquire about rates and availability.
